Hong Minh: The beauty who acted in the first daring scene of a Vietnamese film, disappeared after being married more than 23 years old?

Actor Hong Minh used to be a beauty that made many men fascinated, giving birth to many interesting anecdotes. However, it was the current beauty audacity of the actress that made it impossible for her to get the role and gradually lost her fame after getting married.

While intimate scenes are often a controversial aspect, even on the decline of Vietnamese films, many viewers "access" old footage of the 80s and 90s. At that time, intimate scenes between the characters were shown sparingly, but the level of daring was not inferior. In particular, the first daring scene on the Vietnamese film screen has many extremely interesting things.

In the movie "The Backlight" released on the big screen in 1980, actors Chen Chun and Hong Minh had an extremely intense "love" scene. So much so, that, before the film was widely released, these scenes were all cut, leaving only the most "pure" seconds. Although it is a pity, the filming process for this scene has left the crew, especially Hong Ming, with unforgettable memories.

Referring to Hong Ming, she used to be one of the famous celebrities in the 70-80s. Hong Ming's beautiful beauty, hybrid West and personality have helped Hong Minh stand out among other "pink balls", receiving the love of a large number of male audiences. People even spread "bad" anecdotes about Hong Ming, such as every time she goes out on the street, there is a car acciden.t because many people are absentminded, or every guy who meets the beauty for the first time is ready to submit.

Since birth, Hong Ming has been very personable. That is the difference that makes the Hong Ming gir.l that day have an irresistible attraction, making every guy want to get close. Although she is very enthusiastic and dedicated to art, the number of films she has acted in can only be counted on her fingers. His career is unfinished, but in his personal life, artist Hong Minh has many memorable anecdotes.

Although most of the release was cut, the scene in the movie Backlight produced in 1980 marked the first film with an "adult" scene of Vietnamese cinema.

In the film, Hong Ming plays Bang's love interest, and has a passionate scene with him before he surrenders for causing a serious acciden.t. Through Chen Chen's sharing with the media at that time, Hong Ming possessed a strong personality, somewhat rebellious. Therefore, she was more comfortable with this scene while Chen Chen was shy, even appreciative.

Actors Chen Xue and Hong Minh hugged and kissed each other for the most realistic scene. "I was very worried because I had never done such a scene and Vietnamese films had never had such a ho.t scene," said artist Tran Nhien. In contrast to Chen Nguyen's shyness, actor Minh Di-gan (Hong Ming's nickname) is confident and professional.

It was Hong Ming's openness that helped the two juggle in the scene. Chen Chen still remembered the happy memory: "We practiced together in advance. The director looked at me and called me out and said, "Oh, you kiss your lover and your limbs are stiff like that is not right psychologically and psychologically and in terms of the character's thinking. When I was filming, I did as the director told me when Hong Ming pushed me away and said why didn't there be this action at the time. Everyone burst out laughing, and the few minutes the film had just been filmed seemed to drop. And a few minutes of plastic film costs a lot of mone.y."

By the second double, when they understood each other, Tran Nhien and Hong Minh acted very well. Director Tran Phuong made the scene with just a 3-minute panning, which is rare in Vietnamese cinema and television then and even today.

The Reverse Light is a pioneering film about the "adult" scene of Vietnamese films, also a launching pad for Tran Nhien and Hong Minh to become more famous. However, Hong Ming herself is not interested in acting. At the ag.e of 19, she got into a flower car with her husband who was 23 years older than her, People's Representative Bui Huy Hieu.

Since then, Hong Minh has chosen to leave the lights of the entertainment village, idyllic and peaceful with his small family. After her husband's deat.h, Hong Minh remained tight-lipped and hardly shared any pictures of herself.

Actress Hong Minh was one of the famous Ha Thanh celebrities in the 1970s and 1980s. She was born in a family of 7 brothers in Thuy Khue Street, Hanoi. With a height of 1.65 m, Minh "Digan" makes many men lovely. Even when she walked on the street, some people even threw bicycles into each other because they were busy looking at the beauty.

In the days when few actresses dared to boldly accept scenes in movies, Hong Ming boldly accepted the role in the movie Backlight Streaks. In that scene, the more awkward her male co-star was, the more natural she was because since birth, Hong Ming has been very personable.

That is the difference that makes the Hong Ming gir.l that day have an irresistible attraction, making every guy want to get close. Although beautiful and talented and possessing a height of 1m65, she did not have many opportunities to act in films because her modern beauty was different from the majority of women at that time and it was difficult to find male actors with a physique commensurate with her.

Director Phi Tien Son once said very correctly about her: "Hong Minh is a beautiful and attractive gir.l but born at the wrong time, so it is impossible to have a suitable role for her." His career is unfinished, but in his personal life, artist Hong Minh has many memorable anecdotes.

Although not lucky on the career path, Hong Minh is blessed on the way of love. At the ag.e of 19, in order to marry the man she loved, Hong Ming pretended to be pregnant to force her family to nod. Her other half is none other than painter Bui Huy Hieu, who is 14 years her senior.

After marriage, Hong Ming still made many people drunk like a cigarette, they did not mind coming to the house. As a personality, Minh "Gypsy" is not safe. That unruly horse still made many men suffer for her. Fortunately for Hong Ming, her husband is extremely delicate and tolerant. Although she upset her husband many times, he ignored it and never spoke harshly.

At present, the rose of incense is at the threshold of late afternoon. Hong Ming is no longer interested in art. She lived happily with her children and grandchildren. The only regret and void in her heart was the forever passing of the man who had been with her all her life.