Our Movie: The World's Most Miserable Main Couple, Great Movie Still Low Rating

Recently, the Korean romance drama has just been aired and has been highly appreciated for its content and the acting of the male and female leads. However, a strange thing that surprised many people is that although the film is very good, the rating still cannot be in the top competition.

At present, the tragic romance film "Our Movie" (English title: Our Movie) is coming to its final stages, leaving many big questions in the hearts of the public and experts. This work once received countless expectations when it gathered two famous names, quality assurances, Nam Goong Min and Jeon Yeo Been in the male and female lead roles. However, despite the "dream" cast and promising plot, the film eventually had to face a harsh reality: a total failure in the rating race, causing a wave of fierce controversy about the "phase difference" between the quality of the content and the level of reception from the audience.

"Disastrous" rating: Is the peak also the starting point for a historic failure?

"The Movie of Us" started with a modest rating of 4.2% and sadly, that was also the peak rating of this work. Right after the highly anticipated opening episode, the following episodes, the film continuously maintained an alarmingly low rating. Episode 10, which aired on July 12, only achieved a mere 3.9%, ranking 11th nationwide among films shown in the same time slot.

The viewership of the film was not much better, reaching only 651,000 viewers – a number far below expectations for a project with the participation of A-list stars like Nam Goong Min and Jeon Yeo Been. Although it was slightly better than recent episodes, this growth was insignificant, not enough to revive the gloomy situation of the film.

In terms of numbers, "The Movie of Us" is clearly a huge failure for both Nam Goong Min and Jeon Yeo Been. With their reputation and strength proven through many previous blockbusters, the fact that one of their films has such a "poor" rating is unbelievable and shocking to both fans and filmmakers. This raises a big question: Is the taste of Korean television audiences gradually changing, or is there some factor that has caused a quality work to be "abandoned"?

Heart-stopping content: A tragic love story portrayed with great emotion

"Our Movie" depicts the tragic love story between Lee Je Ha, a passionate filmmaker, and Lee Da Eum, a talented actress with a terminal illness. Fate brings them together through a movie, and deep feelings blossom despite their cruel fate.

The film becomes more heartbreaking towards the end as the two admit their feelings, face challenges together and go all the way with determination. Each scene is skillfully constructed, pushing emotions to a climax, making the audience feel tormented and heartbroken for a beautiful but tragic love.

The Conflict Between Quality and Rating: What is the Solution for "Our Movie"?

The contradiction between the highly rated content and the miserable rating of "The Movie of Us" is becoming a hot topic in the Korean film community. Many fans cannot understand why such an emotional work, with top-notch acting and a profound plot, cannot conquer the general audience.

Some people think that the film's theme may be too tragic, not suitable for the light entertainment tastes of a segment of the audience at the present time. Or, due to the ineffective promotional strategy, the film has not reached the right target audience. However, many people also believe that sometimes, a true work of art is not always evaluated by dry numbers. The true value of "The Movie of Us" lies in its ability to touch the hearts of viewers, evoking deep thoughts about love, fate and life, even though the number of live viewers may not be as expected.

Regardless, the ratings failure of "The Movie of Us" will serve as a valuable lesson for the Korean film industry, showing that having a "big" star cast and quality content is not enough to ensure commercial success. This is a thought-provoking story about the balance between art and audience taste in the digital age, where competition is increasingly fierce.

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