The fragile flower was oppressed just like meeting her pregnant sister again, Mai Thu Huyen was discouraged but still tried

Director and producer of the movie Fragile Flower - Mai Thu Huyen shared that she felt sad and disappointed at the situation of Vietnamese films being treated unfairly, typically a film she made that had just been released in theaters and was tampered with. pressure, risk of serious losses.

Fragile Flower is a Vietnamese film that was just released in theaters not long ago, despite being methodically invested, from the cast to the quality of the script and clear message. But for objective reasons from the distribution units, the work directed by Mai Thu Huyen and this producer is on the verge of heavy losses and at risk of being withdrawn from theaters.

As a movie with the theme of Vietnamese people living abroad, realistically portraying the lives of expatriates, the work was warmly received in the international market and achieved many admirable achievements at festivals. movie. However, when it returned to Vietnam and opened ticket sales, the film was f.orced to have an unacceptable screening rate. The producer himself was extremely frustrated by this situation in Vietnamese cinema.

Accordingly, on Tet 2024, a series of Vietnamese films will also be f.orced to screen just like Fragile Flower at the present time. One can mention is "Meeting My Pregnant Sister" by director Nhat Trung. The movie Tra - directed by Le Hoang had its release date postponed, the movie Bright Lights - directed by Hoang Tuan Cuong was re-released but it was not satisfactory - Mai Thu Huyen said.

Just like producer Mai Thu Huyen shared. Except for "Meeting the Pregnant Woman" with "steel spirit", which was well received by the audience, competing with Tran Thanh's "Mai" but the revenue still reached hundreds of billions, and is about to be released abroad, the other films are are all very "quiet"

Mai Thu Huyen - producer and director of Fragile Flower expressed her sadness about this. She said: "In fact, in Vietnam, 80% of movie theater investors are foreigners. It is quite difficult for Vietnamese movies to have no capital injection from theater owners, and are not given priority for screenings." This is a market mechanism, theaters also have the difficulties of theaters, they also have to operate and evaluate films that attract audiences, and if they have more revenue, they will favor them more. That's the rule, no There's nothing to wonder about, but there must be some limit so we can not use the word pressure."

"Many people don't understand, why do producers keep screaming? But it can be seen that a regular movie in its first week in theaters will have priority screenings. But Fragile Flower, one day only 1 to 2 shows. But if the show is early in the morning or at night, the public thinks there is no audience, but at that time, if you look at a show like that, you know for sure that no one will watch it and there will be no revenue "If the movie is f.orced from the moment it comes out like that, it's unfair," Mai Thu Huyen added angrily.

Facing the injustices from the Fragile Flower project, Mai Thu Huyen said she was quite discouraged, but she affirmed that she would not give up. The producer shared: "To be truly discouraged is too discouraging, but to be discouraged and give up is too simple. I am not a person who is easily overcome, because I believe in what I do, I believe that every movie has its own merits." First of all, I can be proud that I made a neat product that was well received by a civilized audience who did not criticize the film and praise it appropriately I have faith because my films have won awards at international film festivals, something that cannot be bought with m.oney."

Although she failed in the Vietnamese market, Mai Thu Huyen is quite confident that Fragile Flower will be shown in many other international markets in the near future. The film is currently about to hit the Bollywood market in India. This is a fairly new market for Vietnam, but will be a first step, laying the foundation for Vietnamese movies in this country of billions of people. Mai Thu Huyen said she has a lot of confidence that the film still has its own audience and will achieve certain international successes in the near future.

This is also a belief that may be positive, when looking back at the case of Director Nhat Trung's Meeting My Pregnant Sister Again, the film was f.orced to screen in Vietnam, but with the efforts, the film crew is now very good. Proud to announce that the film is "exported" to be screened abroad. The audience hopes that Fragile Flower will be the next Vietnamese film to achieve impressive results in other countries, reaping sweet fruits with the difficulties and enthusiasm that producer Mai Thu Huyen has put into the film.

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