MC of "Riding the Wind 2026" - Ta Na reveals that Trang Phap and the other female contestants were banned from using the restroom by the organizers.

The famous female MC revealed a hilarious behind-the-scenes situation where the restroom door was locked for the entire duration of the filming, causing many artists to feel awkward but also creating a much-discussed backstage story.

According to Xie Na, during filming, to ensure progress and minimize interruptions, the crew decided to lock the restrooms. This resulted in the artists having to endure the discomfort throughout the filming. This detail also partly explains Li Xiaoran's attention-grabbing rap line during the voting campaign: "All the girls are about to explode (from holding their urine)." The seemingly humorous line accurately reflects the real-life situation the contestants faced backstage.

Beyond just sharing "unmentionable" behind-the-scenes stories, Xie Na also revealed details about the team selection process – one of the most stressful parts of the show. According to the female MC, this part consumes a lot of time and is when the artists face difficult choices. Each person has their own strategy, and they must weigh the balance between choosing suitable teammates and maintaining their personal image, making the atmosphere extremely tense.

The differences in personality among the "older sisters" also contribute to the drama of the show. Xie Na said that some are very decisive, making choices quickly, while others are hesitant, considering many factors before deciding. This diversity creates memorable moments, even becoming a "highlight" that helps the show attract the audience's attention.

Xie Na is known as one of China's top entertainment MCs, possessing a lively and energetic hosting style. However, she doesn't always receive unwavering support.

Specifically, according to the organizers of the "Riding the Wind" show, she appears with the title, tentatively translated, "witness to the journey." This position is defined as focusing on connecting emotionally and accompanying the female artists rather than controlling the program's progress.

However, the reality on live broadcast is quite different. The program lasts over 4-5 hours with 67 participants (33 main artists and 34 guests), and Xie Na and male MC Qi Si Jun are forced to take on the role of host, coordinator, and interact as the main presenters.

The controversy intensified when behind-the-scenes details were revealed. Accordingly, while Qi Si Jun was fully equipped with headphones to receive direct instructions from the director and a detailed script displayed on a teleprompter, Xie Na had almost no similar tools. Her teleprompter was minimal, consisting of vague statements about extending the program to prepare for backstage, forcing her to improvise to fill the time gaps. Furthermore, the lack of headphones prevented her from receiving real-time instructions, leaving her dependent on signals from her co-host.

Audience reactions were divided into two distinct extremes. Many opinions suggested that Xie Na showed limitations in controlling the pace. Data from the broadcast showed that after more than 40 minutes, the program had only completed interactions with 6 artists, making it seem drawn out. Numerous situations were considered "over the top" in terms of communication, with the MC engaging in lengthy conversations with familiar artists, disrupting the overall process. Conversely, supporters viewed Xie Na as someone who connected well. With years of experience, she was able to remember the names and works of dozens of artists, while also creating a friendly atmosphere in a crowded venue.

Tỷ Tỷ wins against Trang Pháp; ambiguous audio recordings of judges revealed; a contestant accuses organizers of unfair treatment. Thảo Mai16:11:30 17/04/2026Riding the Wind 2026 is currently a highly anticipated entertainment show in China. The program has only aired three official episodes but has already been embroiled in numerous controversies, particularly regarding allegations of rigged results after Performance 1.