"Parasite" beats Hollywood giant, is the best movie of the 21st century!

The New York Times has just released a list of the 100 best films of the 21st century, and the biggest shock is that the crown belongs to the Korean "Parasite". More than 500 experts voted, bringing this film to a dazzling height, surpassing all Hollywood competitors.

On June 27, an event shook the global film community. The New York Times officially announced the list of the 100 greatest films of the 21st century. Not just a simple ranking, this is also the result of a dramatic vote from more than 500 individuals with profound influence in the world film industry, including talented directors, veteran actors, famous producers and passionate film enthusiasts.

But what surprised fans was the champion position, a work from Asia, beating a series of Hollywood blockbusters to affirm its top position.

Reigning at the top of the list is none other than "Parasite", the masterpiece of Korean director Bong Joon-ho. The New York Times did not hesitate to use the strongest words to describe the film: "a distorted shock of a poor family trying to infiltrate a wealthy family to change their lives." But that was only the beginning of a haunting and surprising cinematic journey.

By flexibly switching between light-hearted comedy and sharp social satire, "Parasite" takes the audience through a range of emotions, from hearty laughter to extreme tension.

The hottest thing is the way Bong Joon-ho suddenly "burns everything down with inevitable violence" in the final scenes. The "fateful" twist about the fate of the characters has made many people shudder, and realize that the line between the upper class and the "parasites" can be frighteningly fragile, or even a vicious circle of despair with no way out.

Director Bong Joon-ho has been hailed as a "master of unconventional genres." He has broken all the rules of traditional filmmaking, skillfully combining elements of black comedy, thriller, social psychology and even horror, creating a unique cinematic experience. "Parasite" is not only the pinnacle of Bong Joon-ho's personal career but also a milestone in the history of Korean cinema.

Released in 2019, the film swept all the world's most prestigious awards, from the Palme d'Or at Cannes to the Best Picture title at the Oscars, affirming the unshakable position of Asian cinema on the global map. This resounding success is also a strong testament to the fact that an authentic story, no matter where it comes from, can touch the hearts of audiences everywhere.

Besides "Parasite", the New York Times' top 5 list also includes works that have left a deep impression on the public and critics, shaping the face of contemporary cinema: "Mulholland Drive" (2001), "There Will Be Blood" (2007), "In the Mood for Love" (2000), "Moonlight" (2016).

The New York Times' announcement of this list is not only an entertaining event, but also a powerful statement about the changing flow of global cinema. It affirms that cinema is no longer limited by geographical or linguistic borders. Unique stories, new perspectives from every corner of the world can touch the hearts of audiences and be honored in the highest positions. The rise of "Parasite" is a strong testament to an era where diversity and creativity are more valued than ever, challenging all prejudices and traditional barriers.

Moreover, this list is a reminder of the extraordinary power of cinema to reflect and shape society. Great films not only entertain but also force us to confront the painful issues and harsh truths of life. They are mirrors, sometimes terrifyingly distorted, of people and the complex world in which we live.

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