Meritorious Artist Ngoc Huyen bought a 50 billion house to open a restaurant, spoke out about the second boss Dien Quan.

Meritorious Artist Ngoc Huyen opened a milk tea shop at her 50 billion VND house in Ho Chi Minh City. Khuong Dua appeared, dispelling rumors of conflict after being absent from her new film project, affirming that they are still close.

Recently, Cai Luong artist Ngoc Huyen officially opened a new milk tea shop at a 50 billion VND frontage house in Ho Chi Minh City - which she just bought at the beginning of the year. The event not only marked a new step in the artist's business activities, but also became the center of attention when gathering many close friends and colleagues to congratulate, including the notable appearance of director Khuong Dua - the second boss at Dien Quan.

Recently, rumors of a rift between Ngoc Huyen and Khuong Dua spread strongly in the entertainment industry when this director did not participate in the movie Loving each other on a warm sunny day starring Ngoc Huyen. Before that, the two had worked well together in two works , Sau Rieng and Trum No. Khuong Dua's sudden absence from the third project raised big questions in public opinion. However, his presence at the opening ceremony of the milk tea shop this time indirectly dispelled all rumors. In fact, the two still maintain a good relationship, close as brothers in the profession.

Sharing the reason for not participating in the project Loving each other on a warm sunny day , director Khuong Dua frankly said: "Currently, I am focusing on a personal project and preparing to film Ngoi Sao Mien Vuon season 4, so I cannot take on a new film. Moreover, I have already made two films for Ms. Ngoc Huyen, if I continue, it will be easy to repeat the style, so I proactively proposed to let another more suitable director take charge."

He also revealed that Ngoc Huyen had invited him very early on, but he actively refused because he did not want to affect the work progress and the project progress. Khuong Dua affirmed that the two still loved and respected each other as before: "Ms. Huyen also made it clear that if I did not do it, she would invite someone else. She loves me very much, there is absolutely no conflict as everyone thinks."

On her side, the female artist also confirmed the closeness between the two: "My sister and I love each other very much. It was Khuong Dua who refused, not me who didn't invite him. He also introduced me to director Nguyen Thanh Nam."

Ngoc Huyen also shared that during her return to Vietnam, she was busy making a film and opening a milk tea shop, all within a few short weeks. This trip back home was even more meaningful when accompanied by her whole family - including her parents and two children. On the rare occasion that the whole family returned, she took the opportunity to take her family on a trip to Phu Quoc and Da Lat to relax before returning to work.

Ngoc Huyen's new milk tea shop is located in a prime location in Ho Chi Minh City, right in the house where she invested 50 billion VND to live and do business. Surprisingly, the prices at the shop are very "soft" compared to the general level. Many colleagues were surprised to know that a cup of milk tea only costs 33,000 VND.

Explaining this price, Ngoc Huyen confided: "I opened the shop without focusing on profit. I just hope that people can drink delicious drinks at reasonable prices, and I'm happy. A little profit from each glass is enough, I don't need a lot of profit." This goodwill business mindset makes many people appreciate it.

Not only returning to the screen with a new project, Ngoc Huyen also shows a new direction when investing in the culinary field. Although working in both the arts and business fields, the female artist still maintains an energetic spirit and meticulousness in every choice. Her skillful maintenance of relationships, especially with important associates like Khuong Dua, proves her intelligence and depth not only on stage but also in real life.

In the context of the entertainment industry full of scandals, Ngoc Huyen shows the image of an artist who always strives to preserve humanistic values, strengthen relationships in the profession and aim for good things for the community.

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