Roads near and far: inhibiting because no one is good

The Near and Far Roads gathers a cast of young actors with poor acting and do not know how to control their expressions.

The movie The Near and Far Roads has reached episode 51 and the audience is getting more and more impatient with the movie. The work gathers a young cast, with the content of early life stumbles, youthful love with many concerns. But the ungraceful acting of the cast made viewers uncomfortable.

In the recent episode 51, the love affair between Hung (Minh Hoang) and Yen (Bich Thuy) received a less positive reaction from the audience. Hung and Yen had kisses, touching the evil body. The series took up to 30 episodes to build a connection between the two characters. In the latest episodes, they understood each other's hearts and only lacked an official confession. Thinking that the future would be a sweet day, Yen listened to her father and went to see the eyes of a rich man with a stable economy and a doctor. All the conditions of the newcomer are better than Hung.

Yen's choice made Hung hurt and heartbroken. However, instead of repressing himself, he immediately criticized Yen as a materialistic girl who lives falsely. Hung's reproaches made viewers uncomfortable.

"I just went to see my eyes and was scolded in the face by the guy", "It's not each other's things, Hung is the patriarch", "It's me who chooses the same as Yen, but under such conditions, who will fall in love with you to fix the air conditioner", "Affection must also be based on the balance of circumstances, must be a subject of registration, the two have too many differences", "Hung is always grimacing, he is not a lover but has scolded Yen like that", are the angry comments of the audience.

Viewers think that the film has many plots that are far from reality, the characters act according to the specified script, but there is no logic, so it does not bring empathy to the viewers. Besides, the character image built is problematic and the inexperienced acting of the cast makes the film even less attractive.

For example, with the role of Dong (Cu Thi Tra) is the female lead, but she often frowns, her expression is somewhat fierce. The audience thinks that Cu Thi Tra is not acting well, so viewers have not been able to get rid of the little three pelica roles that she has shown before.

The character of Dong in the film is built as a dynamic, ambitious girl who persistently pursues goals in both career and love. Therefore, it is understandable that the screenwriter let Dong easily fall in love and be determined to confess his love to Vinh. However, many viewers think that the situation of "piling to find buffaloes" in the film is unreasonable, deteriorating the image of the heroine.

"We have known each other for three meals and have pounced on each other like this. The heroine is too devalued", "It feels like Dong is attracted to Vinh only because of her handsome appearance and good economic conditions. The two characters can't show real affection," the audience commented on how to build the image of the female protagonist Dong played by Cu Thi Tra.

With the role of Hung or Dung, actors Minh Hoang and Viet Hoang also used too much force in acting, their faces were always grimacing, making it difficult to create sympathy for viewers. The ability to read the dialogue of the cast is also poor, many lines sound horizontal, lacking emotion.

With the character of Boss Vinh (played by Viet Anh), the actor specializes in the roles of peach princes, villains, and does not bring reliability. Vinh is similar to Viet Anh's previous roles, so the male artist performs more naturally and comfortably than the young stars.

However, the detail that is difficult for the audience to accept is that Vinh forced Yen to go to receive guests to sign the contract even though she refused and affirmed that there would be another way.

The audience thinks that a boss who uses the body and beauty of female employees to entice customers and force employees to obey like that is not a good boss and should not be built on the screen. Meanwhile, the script of the film does not condemn this behavior but takes it for granted. It is bullying in the workplace and looking down on women.

The roads near and far have content that catches up with the tastes of the audience, referring to the problems that young people are facing in modern life. But the plot in the film and the dialogue are not deep enough. Plus the ungraceful acting cast makes viewers tired.