Duc Tien rarely mentions his childhood here and there, revealing the reason for his lack of face with Huy Khanh

With an incomplete childhood, Duc Tien overcame adversity to become a supermodel and an actor who was noticed by the audience; revealed the reason for "unknown" Huy Khanh and the director of the movie "Sorry, love".

Dubbed the male god who conquered the audience because of his Asian-European appearance, skillful acting ability and a fulfilling life in the US, few would have expected that Duc Tien's childhood was lacking in family love.

At the show "Traveling memories" episode 18, Duc Tien rarely mentioned sad childhood memories. His parents divorced when he was only 5 years old, the actor started a wandering life, sometimes living with his stepmother, sometimes being "returned" to his biological mother's house, and then living with his aunt.

"I began to accept it as a part of my life, a precious baggage for me to enter life, not dreaming of a family full of parents. I also accepted the prejudices of people around me because I All of these deficiencies make me self-deprecating, quiet, and used to feeling alone in my own house. Even when I have a family, I'm not used to living with my wife," - Duc Tien confided. .

Until high school, Duc Tien moved to live with his father in Bien Hoa, Dong Nai and "plunged" into his studies. Often seeing the performances of Lam Truong, Dan Truong and many other famous artists, the passion for art has begun to rekindle in the heart of the student. However, the fate that pushed him to enter the model village came from the association of friends. Just to help you have the opportunity to talk to the models and realize your dreams, Duc Tien has signed up for a male model class in Bien Hoa.

Thanks to his hybrid beauty and standard height, Duc Tien gradually revealed his talent on the catwalk and was trained by masters such as director Huu Dung, French expert - Henri Hubert. Not only that, he also rose to become the first male supermodel, alongside Ho Ngoc Ha, Xuan Lan, Binh Minh, Bang Lang... and had the opportunity to tour abroad.

However, facing the rare opportunity to go abroad to develop with teacher Henri, Duc Tien refused directly, choosing to stay in Vietnam to fulfill his actor aspirations.

Based on the inherent advantages of appearance, Duc Tien easily accepts a number of small roles. In the movie "Doc Love", the actor received a bloody lesson when he was "overtaken" by his close friend Huy Khanh and occupied the main role.

"The two brothers set two fronts, when Huy Khanh received the main role, I thought it was normal, but the story was pushed to the climax, the two brothers were separated for a while. After that, I was invited to play the role. the main thing, under the position of Mr. Khanh.

At that time, I was still impulsive, eager and influenced by many things, so I did not agree. Like people asked me to be a beauty queen or runner-up, I was advised that I should not do so, there is only one beauty. After that, I realized that people need an actor who fits the role, not a model who fits the role," he confided.

The actor's sharing quickly received the consent of the artist Quyen Linh: "In the past, directors often chose beautiful models because they thought beautiful people were portable vases, beautifying the frame, so many models studied But the movie, television, and stage are beautiful in the role, not the pants, silk shirt, lipstick, grooming like on the catwalk."

Regardless of Duc Tien's efforts, the secondary role in "Love spiral" has left an impression with attractive acting and pronunciation; Since then, he has been given more heavy-duty roles. Having appeared in nearly 20 works, but "Sorry, Love" is the film that makes the actor most impressive not only the maturity in the role but also the relationship with director Hong Ngan.

Actor Duc Tien shared emotionally: "It was the movie where I suffered the most stress, insomnia and crying the most. I had terrible hair loss, depression and stress with the director and crew. I did not accept it. yes, in 2 and a half months of filming, every day is a horror. If I didn't have a contract, I would have quit. Even Ngan and I didn't look at each other. It took 6 months to 1 year after the movie started. When it was successful, the director and I sat down to talk and realized that it was because of work that we were like that, so we were happy and in harmony again."

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