Truong Giang 'implicitly' criticized the movie Avatar 3 for being long, arrogant, and shocking to fans?

Dan NyFeb 04, 2026 at 16:11

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Truong Giang is causing fierce controversy when he is said to be "arrogant" when criticizing the super product Avatar 3 for a long time. This sensitive statement caused fans to wake up, erupting a stream of mixed opinions about the male director's views on a world film giant.

Truong Giang implicitly criticized the movie Avatar 3 for being long, arrogant, and shocking to fans? - Photo 1

Borrowing James Cameron's "missed step" to expose pressure

In a recent sharing session about the film project "My Father's House One Room", Truong Giang did not hesitate to mention Avatar 3: Fire and Ashes as a typical example of not being able to please all the public. The male director frankly commented: "There is no film in the world that is all praised, nor does any director get 10 points. Like Avatar 3 just now, the peak of such an image, there are still people who criticize the story for a long time, dragging on for a long time."

Truong Giang implicitly criticized the movie Avatar 3 for being long, arrogant, and shocking to fans? - Photo 2

This statement broke out at the same time that Avatar 3, although it grossed $1.41 billion, was still considered by experts to be a "step short" compared to the brand's record expectations. The fact that Truong Giang took a super product with a budget of hundreds of millions of dollars as a "shield" for the minuses of his film immediately caused the online community to wake up. Many people think that the comedian is somewhat arrogant when putting his debut work on the scale to compare with the Hollywood "giant". Even many rude comments have appeared: "Vietnamese films have not come out so far, they have asked for compared to James Cameron, it's ridiculous".

Truong Giang implicitly criticized the movie Avatar 3 for being long, arrogant, and shocking to fans? - Photo 3

The clash of the "big guys" and the weapon of calm

Facing challenges from heavyweight opponents such as Tran Thanh or NS Xuan Hinh on the Tet track, Truong Giang proved to be quite thorny and practical. He understood the suffering of the person behind the camera: "Oh my God, people's movies are so good, but they also criticize them. Try making a movie and see. But thinking back, every movie is the same, my movie also has people talking about it." This is considered the male artist's indirect response to the strict opinions for "My father's house has one room".

Truong Giang implicitly criticized the movie Avatar 3 for being long, arrogant, and shocking to fans? - Photo 4

However, putting aside the controversial comparison rituals, Truong Giang still shows the bravery of a serious professional when affirming that he will receive all suggestions from the audience. For him, his transition from a comedian to a director was a big turning point, where the artist ego was forced to learn to reconcile with the harsh tastes of the crowd. The male director clearly determines that once the work is released in theaters, it has become the common property of the public and he is ready to face the most negative feedback with a demanding attitude.

Truong Giang implicitly criticized the movie Avatar 3 for being long, arrogant, and shocking to fans? - Photo 5

A lesson in the harmony between art and taste

Truong Giang's calmness in the midst of the storm of public opinion shows a significant maturity in professional thinking. He does not choose to react harshly or evade, but sees imperfection as an inevitable part of creativity. Despite being "told" shocking sentences on social networks, Truong Giang still believes that true emotions are the last weapon to help the film survive at the box office.

Truong Giang implicitly criticized the movie Avatar 3 for being long, arrogant, and shocking to fans? - Photo 6

The confrontation between "My father's house has one room" and other blockbusters is not only a race for revenue, but also a test of the bravery of the leader. In the midst of mixed praise and criticism, consistency with the path he has chosen is the most accurate answer that Truong Giang wants to send to those who are doubting his ability. When the cinema lights go out, only the connection between the work and the viewer's heart remains as the ultimate survival value.

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