Who is Trac Thuy Mieu - MC criticizes Dan Truong for being tattered and has a series of mouth-watering statements?

Trac Thuy Mieu's real name is Vu Hoai Phuong, born in 1975, originally from Thua Thien - Hue but born and raised in Ho Chi Minh City.

She is a familiar female MC of famous TV shows such as: Solo with Bolero, Can't help but be beautiful, Late night story... with a flexible and profound way. In addition, many times she also "stormed" with statements bearing different and unique thoughts and created controversy on social networks.

Ever dropped out of school, thinking because of his appearance "not like the biological children of his parents"

As an intelligent, profound person with a strong individualism, few people know that from a young age, Trac Thuy Mieu has many times of inferiority complex because of her appearance. If her sister inherits all the beauty of her parents, Trac Thuy Mieu seems to be "not the biological child" of her parents. At the age of 16, she dropped out of school, voluntarily left the house, and lived a wandering life. She made a living by designing ao dai for 10 years. Before that, she studied and worked as an assistant to painter Si Hoang.

She is highly appreciated by many people for her rich knowledge base on domestic and foreign culture. Also with the ability to speak animated language, Trac Thuy Mieu is also a highly appreciated MC when taking on the role of leading events and programs large and small. Trac Thuy Mieu is a familiar name with talk shows and interviews on topics: feminism, love, psychology, old Saigon culture... In 2014, Trac Thuy Mieu created a fever with the audience. when publicly criticizing Bo Dan Truong on television. She is also the one who responds "inconclusively" to Le Hoang - the director is famous for his rich reasoning and sour expression.

Happy with the young pilot

Her husband Trac Thuy Mieu named Phuc Hau, 8 years younger than her, is a colleague in the field of journalism. Trac Thuy Mieu once shared that she only loves men younger than her. In particular, the person who is attached to her must be someone who shares the same ideology about lifestyle and thinking.

The MC woman's husband is also someone who has a special love for the old culture. Trac Thuy Mieu once commented that her husband is a delicate, gentle and loving person. Despite the age gap, the two cultivate common happiness together. "He's a really great man, I believe in him. And if my husband is such an inferior man that he is embarrassed by a woman's ability, he certainly has never been the one I chose. husband", the female MC shared.

A series of controversial statements by Trac Thuy Mieu

Trac Thuy Mieu threw away the invitation card at Do Manh Cuong's show

Trac Thuy Mieu once threw an invitation in front of the entrance to see the famous designer Do Manh Cuong's fashion show. The reason is that despite wearing the right design of Do Manh Cuong, just because it was a little bit wrong with the dress code, Trac Thuy Mieu was prevented from entering the show by security. After that, this female MC received an apology from the show's organizer. Trac Thuy Mieu's strange act of throwing invitation cards became a topic of public discussion for a long time.

Trac Thuy Mieu spoke about women on the occasion of March 8: "Don't fight to free me from your kitchen, it's my privilege, only for women".

Another controversial time of this female MC involves women. The female MC once wrote a long article on the topic of feminism on the occasion of March 8. In it, the controversial part is: "Women are happy when they roll into the kitchen. When they are in the kitchen, they are as happy as a singer who is given cotton. Those who do not fully understand that joy, have no right to argue. So, don't fight to free me from your kitchen, it's my privilege, only women's." Right after that, Dr. Nguyen Phuong Mai (author of The Way of Islam) wrote another article refuting Trac Thuy Mieu's arguments, creating a lively debate on social networks about feminism.

Trac Thuy Mieu criticized Dan Truong "doesn't come out, rap doesn't come out"

At a TV show, the female MC did not hesitate to criticize the performance of "Anh Ba Khia" by "Brother Bo" Dan Truong. Trac Thuy Mieu thinks that the male singer is "half West, half me" and doesn't come out, rap can't rap. It is the combination of folk and modern songs that is a serious mistake that today's singers are making. Trac Thuy Mieu's frank comment then met with mixed opinions from those who loved Dan Truong and other famous singers. As for male singer Dan Truong, after knowing the female MC's comments about his song, he thinks that these are just personal feelings. There are many people of Western origin who love and support his music.

Trac Thuy Mieu fought with Le Hoang about: "Do women need to ask their husband's permission when going to breast augmentation"

Trac Thuy Mieu once had a "war of words" with director Le Hoang on the issue "Do women need to ask their husband's permission when going to breast augmentation". Previously, director Le Hoang published a long article titled "The right to breast augmentation". He believes that women need to respect their bodies, not master the use of brooms, dishwashers, and washing basins. Not only that, Le Hoang also said that breasts account for 90% of the value of a woman's body. That's why breast augmentation is a woman's right. Responding to the views of "sour" director Le Hoang, MC Trac Thuy Mieu said: "Respecting yourself will begin with respecting your husband's joy first. If you don't give it, once you like it, you'll still love it. Just do it, but sitting down to talk and consult with your husband will soothe both the mind, the self-esteem, and the golden hands of every man."

The story then became more tense than ever when Le Hoang told the female MC: "Let's raise the chest with the headlift". Before the heated controversy between director Le Hoang and MC Trac Thuy Mieu, many people said that they were not too surprised because before that these two often had conflicting views, even not afraid to "speak up". on television.

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