Mo Yun - 'Silver screen beauty' wrongfully arrested and lost fame, divorced Hong Kong billionaire

Talking about the "instant noodle" movie era of the 1990s, many people still regret it. Although the films of that time were idle in one color, the artists lived in a vibrant cinematic atmosphere, films made with viewers, revenue, interest, and actors were sought after as true stars. Mong Van was a big name that was widely acclaimed at that time.

Mong Van was born in 1969 in a family originally from Hue. She grew up and studied in Ho Chi Minh City. Ho Chi Minh. At the age of 20, Mong Van participated and reached the final round of Miss Tien Phong newspaper 1989 (the predecessor of today's Miss Vietnam). Thanks to her radiant beauty, Mong Van became a familiar model of calendar and magazine photos that day.

Along with other beauties of her time, Mong Van is often favored by filmmakers, sought after by the press, the audience applauded and generates revenue for each film. Not inferior to her peers, Mong Van also possesses a beautiful appearance of "diving birds" and natural acting talent.

When she received the invitation to act, Mong Van was a first-year student at Ho Chi Minh City Film School. She was spotted by TV editor Phan Vu on her calendar photo. Because she was so impressed, Phan Vu went to Mong Van School to study and invited her to audition for the movie Love Song 68 (also known as Angel Love Song).

Bringing a low mood, mixed joy, film student Mong Van came to audition at Nguyen Dinh Chieu Film Studio. Before the main filmmakers were director Le Mong Hoang, screenwriter Hoang Ha and editor Phan Vu, Mong Van auditioned with timidity and lack of confidence. In the end, she finished with a genuine, complete emotion with the character with the help of her seniors. Although from the moment he saw her, director Le Mong Hoang exclaimed: "Chu cha, Dai Trang is here."

The film crew entrusted the female lead role to Mong Van and she successfully portrayed the character of Dai Trang with a clear and natural personality. At 20 years old, playing the role of a Viet Cong writer with a very up-and-down fate is too big a challenge for a new film school student like Mong Van. However, the beauty of the Hue-born young woman of the noble lineage of Cong Tang Ton Nu plus the ability to role-play naturally and ecstatically when she first stood in front of the filming camera brought Mong Van soon to touch the cinema village. This role was the first stepping stone that made her a star in the "instant noodles" era.

Not long after, Mong Van stepped up to the star ranks with impressive roles in popular publications. With a splendid beauty, dominating the calendar photo market in the 1990s, the beauty of Mong Van also made many viewers stand still. That helped her become a familiar face in newspapers and calendars at that time.

With cinema, Mong Van was an indispensable name at the time when the market was storming, she acted in many films and was an indispensable hit face in theaters at that time. Soon charmed with cinema, Mong Van was very godly in front of the camera, so it was easy to understand when she became famous quickly. She also sobbed the hearts of many audiences through many famous films, asserting herself in historical films: Thang Long the First Sword, Fire of Dai La, Tay Son Knight, Son of Water Monsters, Bodhi Sergeant, Kieu Nguyet Nga,...

In addition, Mong Van is also a factor in the success of romantic films such as: Behind a fate, Tearful rose, Tears of students, Double love, Death of a billionaire, Love has been embryoized, In the arms of waiting, Lost children, People without surnames, Purple Orchid House, Love Wave... attracting audiences to the theater and meeting the entertainment needs of people at that time. She often acted with her close friend Yan Xiang, a leading role and a villain role and often paired with actor Li Hung. In addition to acting, she also works as a model for art photos and fashion shows.

In 1992, when his beauty and name were at his best, Mong Van was involved in a scandal, also known as the Pierre Tan case. Mo Yun was imprisoned, from a star on a carriage to a horse, millions of acquaintances, now she fell into the abyss, losing her reputation and even being misunderstood about her personality.

In those unfortunate days, there was singer Hong Hanh, actor Diem My husband and wife... always by her side to comfort and encourage her. Although acquitted by the court, it was a difficult wound to heal in this woman's heart.

After that time, Mo Yun gave up acting. She is no longer seen on films and calendar covers. The audience regrets the absence of a pink shade of the screen so beautiful and talented.

After the film "Buried Pain" starring the hit actors at that time: Ly Hung, Thu Ha, Le Cong Tuan Anh, Cong Hau and the film "Love Wave" starring Ly Hung, Y Phung and Le Tuan were released to the audience was not as successful as expected. Fate teased, it was also the last films before Mong Yun's retirement from cinema.

Whether she wanted to forget it or not, scandal still dogged her, like a part of her obsessive life. She left cinema without an official farewell but everyone can understand, Mo Yun may have left the silver screen forever while standing on the top of glory.

When retreating backstage, Mong Van married a businessman who first invested in Vietnam and in turn welcomed 3 lovely children. The thought of being busy with taking care of her husband and children took all of Mo Yun's time and the movie path was forever closed.

But unexpectedly in 2009, the one-time talent of the Vietnamese screen "reappeared in Gypsy" with the film Tay Son Hao Kiet directed by People's Republic Ly Huynh, she returned in the surprise and joy of her fans. In the gallant Tay Son, Mong Van portrays the character of Queen Y Binh - wife of King Le Chieu Thong with a luxurious velvet appearance and sharp gaze. This is a meaningful role for Mong Van and her fans after 17 years of breaking away from the silver screen.

It can be said that Mong Van has lived a beautiful life as she experienced the glories and pains, events and happiness. She has been able to overcome all emotions when walking on a glorious and graceful artistic life but also hidden many difficulties that are not easy for everyone to have and overcome.

The beauty of the silver screen in the old days is still salty and beautiful, still making many people look at her every time she walks. But she found peace of mind after stormy days to settle down with her now-grown children.

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