Trieu Le Dinh stunned with her "old" look, leaving the audience speechless when watching?

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In a remarkable sharing on the program Extraordinary Dao, actress Manh Tu Nghia caused a stir when she revealed that she had lost her role just because...
too beautiful. This seemingly unbelievable story quickly became a hot topic of discussion on social networks, especially Weibo â where Chinese fans follow the artists' every move closely.
Belonging to the generation of actors born after 1995, Manh Tu Nghia is known for her classic, gentle beauty and rare background temperament. Thanks to her outstanding appearance, she is often assigned to pure and noble historical roles. However, it was this advantage that once put her in an ironic situation.
When referring to the two-sided impact of appearance in his career, Manh Tu Nghia shared frankly:
"You can say that I am not suitable for the role, not enough to take on. But when the reason is because I'm so beautiful, I can't help but wonder: Is it wrong to be beautiful?"
This statement quickly spread on social platforms. Although she did not specify the name of the project, the actress indirectly reflected a reality: appearance â which is considered dominant in the entertainment industry â is sometimes an invisible barrier that causes artists to be prejudiced.
Many viewers expressed their sympathy, saying that she did not boast about her beauty but only pointed out a professional reality. Many comments said that rejecting an actor because he was "too beautiful" was as absurd as refusing because he was not good looking, because the final deciding factor must still be acting.
In fact, the context of Manh Tu Nghia's statement was also dialogical, when she responded to a question from the MC related to the prejudice of "mobile vase" â a sticker that many young actresses have to face.
Manh Tu Nghia's story clearly shows a contradiction in the current actor selection standards. The entertainment industry has no shortage of beautiful faces, but being "just rightly beautiful" â just enough to fit the character's image â is a difficult problem.
In Agarwood Crumbs Huong Phai, Manh Tu Nghia plays the role of Chi Tich â the twin sister of the female lead Nhan Dam. Even though it is only a supporting role, she still makes her mark thanks to her elegant appearance, gentle charisma, which is commented as "suitable for the ancient atmosphere". Currently, she continues to appear in Dao Hoa Anh Giang Son as Princess Dau Chieu, a character portrayed as a complete talent, further highlighting her appearance advantage.
However, as Manh Tu Nghia himself admitted, appearance does not mean being trusted to play an important role. In a harsh environment like Chinese showbiz â where the "little flowers" born after 1990 are increasingly large and clearly differentiated in capacity â beauty is a necessary condition, but it has never been a sufficient condition.
Compared to other faces of the same age who are gradually asserting themselves with their ability to transform and breakthrough roles, Manh Tu Nghia is still on a journey to find a role "for life". She has a fit appearance, stable form, but still needs a transformation â a big enough opportunity to break the familiar image and affirm her strength.
The story of "losing a role because you are too beautiful" is not only a personal situation but also opens up many perspectives on the criteria for selecting and evaluating artists in today's entertainment industry. For Manh Tu Nghia, beauty can be a gift, but it is also a test of how she positions herself beyond appearance.
On the way to conquer the audience with her strength, Manh Tu Nghia is gradually proving that she is not only a "fit" face in historical shapes, but also an actor who aspires to be challenged and step out of her comfort zone.
When beauty is no longer an absolute advantage, artists like her are forced to answer a bigger question: How do you make the audience remember you for a role â not just for a beautiful face? And it is that journey to find answers that is what makes an actor different.
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