Zhao Liying allegedly used her son as a "tool," and was allegedly framed by Yang Mi?

Surprisingly, Zhao Liying's son topped search trends despite never having been seen in public. Notably, suspicions of "using her child as a tool to maintain popularity" spread rapidly, and Yang Mi's name was unexpectedly mentioned. However, the truth behind this drama has divided public opinion.

Amidst a lack of real box office or award-winning hits in the Chinese entertainment industry, Zhao Liying unexpectedly stole the spotlight. What caught attention wasn't her new role, but rather her young son – a child who had previously been kept private from the media.

The topic surrounding little Tưởng Tưởng has topped search trends and attracted a large following on social media. A child who has never shown her face, hasn't participated in entertainment programs, and hasn't spoken out, yet possesses an impressive level of discussion. This paradox has led the public to begin questioning the situation.

One school of thought argues that this is simply a case of "family glory." The child of an A-list star naturally receives a lot of attention. However, another perspective emphasizes the timing coincidence. While Zhao Liying's film career hasn't yet taken off, her private life is scrutinized more closely. Sharing blurry images and shots from behind only increases curiosity, thus creating a viral effect.

Some comments on social media questioned why, if the intention was to protect the child, the image was still allowed to appear in such a revealing way. This approach inadvertently stimulates imagination and sparks debate. However, there are also counterarguments that in the age of social media, even a small detail can ignite a trend. It cannot be asserted that the person involved intentionally "created the controversy."

The drama began to shift when Yang Mi's name was unexpectedly dragged into the controversy. Following the debates surrounding the Weibo Night event, some accounts suggested that a force wanted to divert attention. This theory quickly spread, although there was no concrete evidence.

The story of these two actresses from the "85s generation" has been a constant comparison for years. From TV drama ratings to film ambitions, every step they take is scrutinized. When one becomes embroiled in controversy, the other is easily dragged into the discussion, a familiar reflex of the online community.

The key issue lies in herd mentality. When the market lacks outstanding works, audiences tend to seek drama from the personal lives of artists. Follower counts, search volume, and prominent red carpet appearances suddenly become substitute measures for professional achievements. This is precisely why every detail of a private life is easily exaggerated.

Although there is no concrete evidence to suggest that Zhao Liying "exploited her child as a tool," nor is there any basis to claim that Yang Mi was behind any of these actions, the rapid spread of these theories shows the intense pressure in the current entertainment industry. When the spotlight fades, social media immediately lights up.

Ultimately, what keeps an artist in the long run is their work. A son may become the focus of attention temporarily, rumors may create a stir, but a truly impactful role is the most convincing answer to all doubts. And in the relentless race of the Chinese entertainment industry, audiences expect more explosive performances on screen than endless debates surrounding their private lives.

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